AAFTER US In this poem, the poet uses a surplus of imagery to allow the reader to fully see what she is trying to get us to picture. In the first line, she talks about how rain, which can be destructive or helpful, is seeping into a room where books and other material things reside. In the lines to follow, she writes about how everything that flourished under the sun, turned away to try and find the light that they so desperately need. This shows the destructive side to rain because it paints the picture of a dark day with rain falling and silencing all activities that happen during the day. In the second paragraph, the poet writes about a portrait, which has sketches of boats and barns and this creates the image of a perfect utopia where everything is peaceful and nothing has disturbed it. The paragraph that follows this peaceful picture, is where the foreboding and evil rain begins to make its appearance again. She writes about how everything that was ever thought of or invented or t
PParadise Lost The epic starts customarily in medias res. Satan and the other insubordinate holy messengers alert to end up in Hell on a pool of fire. Satan is lying close to Beelzebub. Satan raises himself from the lake and flies to the shore. He requires different heavenly messengers to do likewise, and they amass by the lake. Satan discloses to them that everything isn't lost and attempts to rouse his supporters. Driven by Mammon and Mulciber, the fallen holy messengers construct their capital and castle, Pandemonium. The most elevated positioning of the holy messengers at that point collect for a chamber. In the gathering, Satan asks what the evil spirits think ought to be the following move against God. Moloch contends for open fighting. Belial turns Moloch's contentions, recommending that nothing ought to be finished. Mammon, the materialistic heavenly messenger, contends that they do the best with what they have. At long last, Beelzebub, Satan's second in order, su